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Hedvig Christina Wigert (née Falk) (February 1748 – 4 January 1780) was a Swedish opera singer. She belonged to the famous pioneer group of performers of the Royal Swedish Opera. Hedvig Falk belonged to the first group of singers hired at the foundation of the Royal Swedish Opera in Bollhuset in 1773. Just as the great Elisabeth Olin, she was by then a singer and well known for her musical talent, called: "one for her musical talent already well-known female", and Gustav III wanted her for the part of the goddess Doris in the opening grand opera ''Thetis och Pélée'' (an opera in Swedish composed by Francesco Uttini with words by Johan Wellander) at the inauguration of the new Opera. The employment of Wigert illustrates social and gender-related issues; there was an initial difficulty in getting female singers because the profession had a bad reputation, and Wigert also represents the fact that people from the upper-classes participated in the Opera project of the king; similar to the case of Elisabeth Olin, Wigert was a member of the upper-classes, and though she herself was willing to participate, her employment was delayed by the disapproval of "Two old powder-witches" in her family; eventually, she was given a contract which stipulated that she would be allowed to resign whenever her family wished her to, as long as she participated in the inauguration performance. After Doris in ''Thetis och Pélée'', in the inauguration performance of the Opera 18 January 1773, (where she played opposite Carl Stenborg (Pélée), Elisabeth Olin (Thetis), Lars Lalin (Jupiter), Anders Nordén (Neptune), Nils Gustav Stenborg (Mercury), Betty Olin (Amor) and Hans Björkman and Johan Filip Lising), she played "many demanding parts"; she also performed some theatre parts, during a period when the Opera offered this. Her best remembered part was the title role of ''Mérope'' by Voltaire in the 1777–78 season after her marriage, where according to the papers, she "was given lively approval" by the audience. Other roles was Corinna in ''Acis and Galathea'' by Händel, and Euridyce in ''Oprpheus'' by Glück. She was described as unanimously admired, with a "noble" and versatile way of acting. She married the cashier Gustaf Wigert in 1776. ==References== * Anna Ivarsdotter Johnsson and Leif Jonsson: ''Musiken i Sverige. Frihetstiden och Gustaviansk tid 1720-1810'' (Music in Sweden. The age of Liberty and the Gustavian age 1720-1810) (Swedish) * Georg Nordensvan: ''Svensk teater och svenska skådespelare från Gustav III till våra dagar, Första bandet 1772-1842''(Swedish theatre and Swedish actors from Gustav III to our days 1772-1842) (Swedish) * ''Kungliga teaterns repertoar 1773-1973'' (The repertoire of the Royal Theatre 1773-1973) 1974 (Swedish) * Oscar Levertin: ''Teater och drama under Gustaf III'' (Theatre and drama during the reign of Gustav III) Albert Bonniers förlag, Stockholm, Fjärde Upplagan (1920) (Swedish) * Fredrik August Dahlgren: Förteckning öfver svenska skådespel uppförda på Stockholms theatrar 1737-1863 och Kongl. Theatrarnes personal 1773-1863. Med flera anteckningar. (List of Performances staged at the theatres of Stockholm from 1737 to 18863 and the staff of the royal theatres from 1773 to 1863) (Swedish) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hedvig Wigert」の詳細全文を読む スポンサード リンク
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